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The elegant Little Miss Sunshine is a joy to behold—doubly so because the simplicity belies a deep sonic character within. It moves from deep, slow space-/time-bending modes to funky Leslie vibes. But its clarity, purity of voice, and dynamic responsiveness exponentially expand those voices. The Skreddy’s only limitation is its inability to radically lower the intensity or depth of the phase. In this way, Little Miss Sunshine is not for the timid. Bold users, however, will find a bottomless well of phase flavor—all on top of a rich basic voice that many conventional phaser fans will also find addictive.