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This unique pedal design captures the lush, muscular power amp distortions of both Class A and Class A/B tube amps. The tones can be used individually or you can feed one into the other for massive ‘cascading’ distortion and limitless tonal variation. The 100% analog Double Drive 3X is a 3-channel, fully programmable version of its single channel predecessor and features active 3-band EQ. The expanded tone section gives you even greater flexibility to create incredible and original tones. You can store three custom sounds, even on the fly, by simply tweaking the knobs and double-tapping on a footswitch. How easy is that? And, with both Drives at minimum, you can program a clean boost up to 10dB for blazing solos.
Tech 21 brings a fresh perspective to the standard delay pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost D.L.A. is designed with user-tweakable, “lo-fi” analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage delays. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep, up to 1000 milliseconds, of delay. The Boost D.L.A. parameters are engineered so that you can explore and custom tailor such delay styles as digital, vintage tape and bucket brigade. 
Tech 21 brings a fresh perspective to the standard reverb pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost R.V.B. is designed with user-tweakable, “lo-fi” analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage reverbs. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep of size. The Boost R.V.B. parameters are engineered so that you can explore and custom tailor such reverb styles as spring, plate and natural room/hall ambiance.
Obese, megalithic, dynamic distortion is what it’s all about. The XXL’s Warp™ control manipulates the structure and balance of odd and even harmonics and influences their relativity to the dynamics of your instrument and your playing style. Translation: you can achieve a variety of results, even within the same setting, depending on the manner and force of your pick attack. Originally in production from 1995-2000, some guitar players considered the XXL a little too over-the-top(!). Oddly enough, certain bass players seemed to like it just fine. So we decided to split the atom and try to make both camps happy.
The humungous XXL is all about distortion - obese, megalithic, dynamic distortion. The XXL’s Warp control manipulates the structure and balance of odd and even harmonics, and influences the X-Factor™: the ratio of odd and even harmonics relative to the dynamics of your instrument and your playing style. You can achieve a variety of results, even within the same setting,depending on the manner and force of your pick attack. For instance, playing open and loose with Warp at max willyield a vintage fuzz tone. The same setting, when played in a tight, controlled manner, will yield more of a “woman tone.” With the XXL, it’s not just what you play, it’s how you play it.
Tech 21’s American Woman overdrive pedal celebrates the tone of one of the most recognized guitar solos in the history of rock. With just the right balance of odd and even harmonics, the American Woman recreates the cascading effect of two different amplifiers, including pre-amp and power amp stages. This effect is typically only achieved by running two guitar amplifiers into each other. American Woman, she gonna mess your mind…